Still Images and Moving Pictures

???????????????In 1945, Stanley Kubrick became the youngest staff photographer in the history of Look magazine. He was 17. After discovering this (and questioning my life’s path), I was struck by how his early work was so…Kubrick. It’s impossible not to see the roots of his distinct cinematic style. From the immaculate composition to the mastery of light. As both a filmmaker and photographer, I’ve viewed them as distinct practices. While there are some connections between my output in both forms, it’s nowhere near as coherent as it could be. The Look Magazine shots below make a strong case for evolving a consistent style for visual storytelling. And being a once-in-a-lifetime genius.

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Impossible Rooms, Indian Burial Grounds, Fake Moonlandings & Devastating Subtext

I’ve been crossing paths with The Shining lately. As you can imagine, it’s been somewhat disconcerting. I was looking for examples of artists subverting other’s work for their own purposes and hit the motherlode. There are no less than five major theories surrounding Stanley Kubrick’s contentious re-envisioning of Steven King’s classic (wait, they are both “SK”, make that six). After all, creatives generally have a “day job”, so why not put your own spin on it? Or in Kubrick’s case, potentially hide some of the most shocking revelation(s) in the history of film.

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