I have a Canon 5DMIII, which I’ve increasingly felt bad for. Namely because of haters. They say the Epic and Black Magic are better video options and the Nikon D800 simply better. I’ve defended the 5D saying it’s still the best option for someone who shoots video and stills. But, yes, I’ve had my doubts. However, in the last week, things have changed. First, my camera will be able to deliver clean HDMI out, so you can record uncompressed footage with an external reader. Second, and this is a big one, the 5D might very well have the capability to capture 2K raw resolution! Yes, this is OMG-worthy and ups the ante for HDSLR shooters who’ve kept the faith in Canon.
Yes, this type of Co-Create article gets my attention, speaking of an inevitable fully-indie blockbuster movie that changes the model in the same fashion as Mackelmore (music) and 50 Shades of Grey (literature?).
Eric Kuhn, the head of social media at United Talent Agency, thinks the conditions for a hit are already in place. “Social media provides the reach, broadband streaming provides the distribution, and the public has shown the willingness to consume premium content in new ways,” he says. “The system is ready for it. It’s just needs the confluence of the right film and the right moment.”
Wait, I’m a filmmaker AND an entrepreneur AND a digital marketer. I guess it’s up to me to make this happen. Game on.
It seems that every week there is a new revolution in filmmaking. But this, this has potential. There are a few videos of the MōVI” digital 3-axis gyro-stabilized handheld camera gimbal noted by Vincent LaForet, but I feel this one shows what terror it could reign. Now can anyone spot me $15K?
Imagine a magical company that produced the gear you wished you had, but didn’t exist. Well, you don’t have to dream any more buster, because that’s what Kickstarter is shaping up to be. I bought the massively successful $50 Follow Focus and the Aviator Travel Jib is next on the list. In most cases, it’s capable individuals who make a product based on their needs and get it produced quite professionally. When they hit the nose on the button (or is that the other way around) response is overwhelming. More importantly, you can add production value to your work with thoughtfully-designed gear at a fraction of the cost, which lowers the barrier to entry and opens up creative opportunities. Okay, who’s going to Kickstart a $10 4K iPhone camera…?
Hey, Oscars got announced today and, maybe for the first time ever, we’re being timely. How so? Funny-cause-it’s-true nominee posters ripped from FastCo, who stole them from College Humor. Don’t blame us, Huffington Post started it.
Since last year there seems to have been an exponential growth of opportunities to field creative work, especially online. I’ve also recently noticed certain past scripts of mine have been oddly prescient (mind you, I never predicted bath salt fueled zombie attacks). So I decided to sift through the archives to see if there was anything worth revisiting. I wasn’t particularly looking forward to the exercise, since I’m a brutal critic of my own writing. My worst fears were indeed realized, but not how I expected – some of that old shit was good.
In-any-era MJ vs. Lebron-style what-ifs dominate sports debate, so why not film? Case in point is this brilliant movie poster series by Peter Stults, in which iconic films are re-imagined in a bygone era. The results are clever, funny and an interesting peek into the mind of the artist. What if you could pick any director and cast to recreate your favorite movie? Continue reading →
Yes, I’m leading with JUSTIN BIEBER for curb appeal. Can you blame me? So while I’m at it, I might as well come clean to curating an end of year list for more-or-less the same reasons. Now that’s out of the way, I think these five films had unmet potential. Really! All they needed was a bit of love in the story department (yes, that’s a writer-centric view). Doubts? I’ll make you a Belieber. Continue reading →
I’ve been crossing paths with The Shining lately. As you can imagine, it’s been somewhat disconcerting. I was looking for examples of artists subverting other’s work for their own purposes and hit the motherlode. There are no less than five major theories surrounding Stanley Kubrick’s contentious re-envisioning of Steven King’s classic (wait, they are both “SK”, make that six). After all, creatives generally have a “day job”, so why not put your own spin on it? Or in Kubrick’s case, potentially hide some of the most shocking revelation(s) in the history of film.
I had mixed feelings about Drive. Maybe that’s bound to happen with an ultra-violent existential B-movie heist film set in L.A. that’s directed by a Danish unicorn. However, then I saw this very-spoilery (a warning, not a criticism) animated tribute and I reconsidered the source material. It’s awesomeness made me think of how deliberate Gosling’s minimal performance, the anachronistic 80s vibe and the unapologetically blunt story were. This, in turn, made me ponder the art of writing films that are-not-quite-what-they-seem (more on that in an upcoming post). Now I’m considering buying a silk scorpion jacket or maybe not.